You might question the logic of converting a film with such a sombre palette into 3D, but a colour-saturated childhood flashback sequence and some mightily impressive cursed fire came across a treat. The talented David Yates, as we suspected he might, resisted any urge to have wands jutting out in the audience’s faces every five minutes. I’ll say now that the 3D wasn’t overplayed either.
0 Comments
Leave a Reply. |